“What was actually necessary for us to not do is fetishize the physique horror, and by proxy, the ladies who the horror was taking place to,” she says, emphasizing the necessity to humanize the ladies who had been going by sure ordeals. It’s simple that traditionally the horror style isn’t identified for being overly respectful to girls’s our bodies particularly with scenes of an intimate nature. However Stevenson was adamant that her feminine characters’ human experiences be entrance and central, somewhat than these scenes feeling exploitative.
Stevenson grew up on horror cinema from a younger age, citing The Exorcist, Rosemary’s Child, and naturally the unique Omen as films she loved. “What was so pretty about that’s that I wasn’t watching it by the lens of horror. I used to be simply watching it by the lens of watching different individuals, you recognize. Horror has been such a splendidly vast and malleable style to discover simply because it covers each subject, human emotion, and spectrum.”
What you’ll be able to anticipate is a film that “dovetails in with the ‘76 model” however maintains an identification of its personal, that includes stunning photographs of Rome, the extraordinary costumes of Paco Delgado (physique horror on this occasion doesn’t must be simply viscera), and nuns smoking cigarettes and speaking about intercourse
“I haven’t seen a film the place nuns discuss intercourse. It’s thrilling to see these girls who you’re taught to consider virtually as asexual, having sexual lives and sensual wishes at one level,” says Stevenson.
And naturally there’s Damien’s origin story to discover.
“It was necessary for us to have the ability to inform [Margaret’s] personal story that stood by itself whereas additionally having the ability to marry into the ‘76 model,” says Stevenson. “So we did bend guidelines while attempting to nonetheless maintain the spirit of the unique. However we had been excited to do one thing new and contemporary.”
