Horror is again in theaters with the bloody Common Monsters film Abigail this Friday, however this week can be serving up loads of model new horror to look at from the consolation of residence.
Right here’s all the brand new horror releasing April 15, 2024 – April 21, 2024!
For daily reminders about new horror releases, be sure to follow @HorrorCalendar.
Bear in mind Quibi? The short-lived, bite-sized leisure experiment gave us some horror gems together with a horror anthology sequence from Sam Raimi, most of which is presently unavailable to look at anyplace. However there’s excellent news for considered one of Quibi’s tasks this week, as Veena Sud’s sequence “The Stranger” has discovered new life over on the Hulu streaming service.
Written and directed by Veena Sud (The Lie, Seven Seconds, The Killing), Quibi’s “The Stranger” has been recut right into a characteristic movie, and it’s now streaming solely on Hulu.
In The Stranger, “New to Los Angeles, rideshare driver Clare (Maika Monroe, star of It Follows and Neon’s upcoming Longlegs) picks up Carl (Dane DeHaan, not too long ago seen in Oppenheimer and star of HBO’s The Staircase) from a house deep within the Hollywood Hills. What begins as a routine journey turns into Clare’s worst nightmare: a twelve-hour combat for survival by means of town’s seedy underbelly. Carl just isn’t the passenger Clare thought he was, and Clare just isn’t straightforward prey. Avan Jogia (Victorious, Now Apocalypse) additionally stars on this thriller.”
On the best way from Pink Water Leisure is the Japanese horror-slasher film Love Will Tear Us Aside, which slices onto Digital and On Demand this Tuesday, April 16.
The movie is alleged to supply a “fashionable twist to the Japanese horror and slasher genres.”
Love Will Tear Us Aside follows Wakaba, a younger lady grappling along with her traumatic previous. As she ventures into new romantic relationships, Wakaba realizes she is being adopted by a relentless masked assassin. This mysterious killer targets anybody who dares to get near her, turning her quest for love right into a combat for survival.
Directed by veteran filmmaker Kenichi Ugana (Guests, Extraneous Matter), the movie stood out at a number of style festivals in 2023, incomes acclaim from each critics and audiences.
Pink Water Leisure tells us that Love Will Tear Us Aside took residence the award for Greatest Function Movie on the Portland Horror Movie Competition and in addition screened at Style Blast, Be Afraid Horror Fest, Grimmfest, and the Brussels Worldwide Improbable Movie Competition.
The subsequent massive theatrical launch for the horror style brings Radio Silence (Prepared or Not, Scream) again to theaters, with vampire ballerina film Abigail opening on Thursday, April 18.
Within the movie, “After a bunch of would-be criminals kidnap the 12-year-old ballerina daughter of a strong underworld determine, all they should do to gather a $50 million ransom is watch the lady in a single day. In an remoted mansion, the captors begin to dwindle, one after the other, they usually uncover, to their mounting horror, that they’re locked inside with no regular little lady.”
From Radio Silence—the directing staff of Matt Bettinelli-Olpin and Tyler Gillett behind the terrifying trendy horror hits Prepared or Not, 2022’s Scream and final 12 months’s Scream VI—comes a brash, blood-thirsty new imaginative and prescient of the vampire flick, written by Stephen Shields (The Gap within the Floor, Zombie Bashers) and Man Busick (Scream franchise, Prepared or Not).
Abigail stars Melissa Barrera (Scream franchise, Within the Heights), Dan Stevens (Gaslit, Legion), Kathryn Newton (Ant-Man and the Wasp: Quantumania, Freaky), William Catlett (Black Lightning, True Story), Kevin Durand (Resident Evil: Retribution, X-Males Origins: Wolverine) and Angus Cloud (Euphoria, North Hollywood) as the abductors and Alisha Weir (Roald Dahl’s Matilda the Musical, Darklands) as Abigail.
The critically acclaimed horror film Late Night time With the Satan was launched into theaters nationwide final month, and it’s subsequent coming residence to Shudder starting on Friday, April 19.
David Dastmalchian (Dune, The Suicide Squad) stars because the host of a late-night discuss present that descends right into a nightmare within the Ghostwatch and WNUF Halloween Particular-inspired movie.
David Dastmalchian stars as Jack Delroy, the charismatic host of “Night time Owls,” and the movie traces the ill-fated taping of a reside Halloween particular in 1977 stricken by a demonic presence.
The energetic and modern characteristic hails from Australian writing-directing staff Colin and Cameron Cairnes (100 Bloody Acres, Scare Marketing campaign).
The movie premiered final 12 months at SXSW. Meagan wrote in her evaluation out of the fest, “Late Night time with the Satan captures the chaotic power of a late evening present, embracing the irreverent comedy and stress of reside tv with a pastiche fashion. It’s a intelligent computer virus for a stunning horror film that goes full throttle on unhinged demonic mayhem.
Whereas it’s not a horror film, we additionally need to point out that the Bigfoot film Sasquatch Sundown is being launched nationwide in theaters on April 19, after a restricted launch final week.
The oddball film from filmmakers David and Nathan Zellner (Kumiko, The Treasure Hunter) was notably Govt Produced by Ari Aster (Midsommar, Hereditary).
Sasquatch Sundown paperwork “a 12 months within the lifetime of a singular household.”
“Within the misty forests of North America, a household of Sasquatches—probably the final of their enigmatic form— embark on an absurdist, epic, hilarious, and in the end poignant journey over the course of 1 12 months. These shaggy and noble giants combat for survival as they discover themselves on a collision course with the ever-changing world round them.
“Starring Riley Keough and Jesse Eisenberg, acclaimed administrators David and Nathan Zellner (Kumiko, the Treasure Hunter) carry you the best Bigfoot story ever advised.”
Christophe Zajac-Denek (“Twin Peaks: The Return”) additionally stars within the movie.
